Film Review : Nowhere Boy

When you tackle the portrayal of an icon on screen any director is playing with fire. Even moreso than a beloved novel, people have a vivid and perhaps fixed image of that person. In addition, the facts and figures of their lives may be well known to the target audience and woe betide any small changes in the name of artistic license.

John Lennon is the latest such icon to have their life (or, more accurately, the most critically formative part of his life) portrayed on the big screen. Nowhere Boy depicts the tale of young John starting with the death of his Uncle George through to the death of his mother in a car accident (knocked down by a drunken off-duty police officer).

This period covers not only his meetings with Paul and George and the genesis of The Beatles, but also his relationships with his errant mother and his Aunt May which helped to form the crux of his artistic drive in years to come.

My bookshelves are crammed with many Beatles books so the background to the story was familiar to me, and the good news is that the story told was largely faithful to my understanding of what happened. The major piece of artistic license taken is to overemphasise the extent to which the younger John had ready access to his mother - it's rather suggested that she was persona non grata to him until his mid-teens but I do believe that she was often in his presence before then.

However, this is more than compensated by identifying the sudden death of his Uncle George as a key moment, and it was after this that there wasn't a balance in John's life to counter his Aunt Mimi's strictures. Whether or not he had regular contact with Julia before then, this was almost certainly the point at which he sought more comfort from his natural mother.

The relationship between John and the more talented Paul McCartney is well handled as well, and with Julia's death it's clear that the shared bond of music and maternal loss forged a strength in their partnership which took them to the considerable success they achieved.

Kristin Scott Thomas is excellent as the strict and regimented Aunt Mimi, whilst Anne Marie Duff portrays the waywardness and attitude which must have been appealing to the teenage John. In the main role, Aaron Johnson is excellent as Lennon. In the opening scenes, you struggle somewhat to picture him as the familiar icon, but once he discovers rock'n'roll and reshapes his hair into a quiff the image is complete. He also has the familiar stare that provided such character to Lennon's face - all, of course, due to his extreme short-sightedness and reluctance to wear spectacles.

Whilst Thomas Sangster is perhaps a little too geeky for Paul, his portrayal does provide a good, reflection of the precocious talent that McCartney had even at that age and his recognition of the more primal talents that lay within Lennon. And for the musical pedants amongst you, Paul's playing of Twenty Flight Rock to the slightly drunk John is present and correct (as is George's bus journey audition of Raunchy to cement his place in the group).

In spite of all the danger (sic), director Sam Taylor Wood has crafted an excellent movie that provides an insight into Lennon's formative years which is well worth catching perhaps even for those of you less enamoured of The Beatles than I am.